Body horror cinema is having a banner season
By Jason Baxter
Tim Burton's original Beetlejuice remains a deadly delight that he's increasingly found himself chasing
By Chase Hutchinson
The Kenworthy Silent Film Festival in Moscow pairs 1920s cinema with new locally composed scores
Looking back on M. Night Shyamalan's winding cinematic journey as Trap hits theaters
The original Twister is a fun ride, though its legacy is defined by hubris and limitation just as it is thrills
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Everyone involved in making the disastrous Christmas action "comedy" Red One should be put on the naughty list
By Maryann Johanson
Emilia Pérez is Netflix's big swing of a musical that's shallow and misconceived at every turn
Heretic will win acolytes from Hugh Grant's acting alone, but ultimately merely tests our faith
Bear Creek flows in a new direction
By John Bergin
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