Screen

Nosferatu is a haunting horror vision from Robert Eggers

The anime The War of the Rohirrim struggles to expand the world of The Lord of the Rings

Luca Guadagnino delivers a muddled adaptation of Beat icon William S. Burroughs’ Queer

The Order uses the trappings of the crime thriller to tell a haunting chapter in the Inland Northwest's history

Nightbitch disappointingly never fully lets Amy Adams show her fangs

Engaging if somewhat redundant, the documentary Beatles '64 chronicles the band's first visit to the U.S.

Uneven teen comedy Sweethearts features appealing stars in an underwhelming story

The highly anticipated Gladiator II makes an uninspired return to ancient Rome

Wicked turns the Broadway hit into a mostly satisfying big-screen spectacle

Emilia Pérez is Netflix's big swing of a musical that's shallow and misconceived at every turn

Everyone involved in making the disastrous Christmas action "comedy" Red One should be put on the naughty list

Writer/director Steve McQueen reframes the whitewashed image of WWII's London bombings via a harrowing childhood adventure

Heretic will win acolytes from Hugh Grant's acting alone, but ultimately merely tests our faith

Here boxes the often AI Tom Hanks and Robin Wright into a shallow corner with no way out

Grating family comedy Hitpig! is an animated abomination

Ralph Fiennes brings the gravitas to Conclave, a pulpy film about catty Catholic cardinals vying for the top job

Your Monster uses Beauty and the Beast overtones to tell a story of woman learning to love herself

Body horror cinema is having a banner season

Andrew Garfield and Florence Pugh give the simple yet effective We Live in Time a greater spark

The Apprentice grasps at telling Donald Trump's origin story, but ends up as shallow as the man himself