Screen

Wicked turns the Broadway hit into a mostly satisfying big-screen spectacle

Emilia Pérez is Netflix's big swing of a musical that's shallow and misconceived at every turn

Everyone involved in making the disastrous Christmas action "comedy" Red One should be put on the naughty list

Writer/director Steve McQueen reframes the whitewashed image of WWII's London bombings via a harrowing childhood adventure

Heretic will win acolytes from Hugh Grant's acting alone, but ultimately merely tests our faith

Here boxes the often AI Tom Hanks and Robin Wright into a shallow corner with no way out

Grating family comedy Hitpig! is an animated abomination

Ralph Fiennes brings the gravitas to Conclave, a pulpy film about catty Catholic cardinals vying for the top job

Your Monster uses Beauty and the Beast overtones to tell a story of woman learning to love herself

Body horror cinema is having a banner season

Andrew Garfield and Florence Pugh give the simple yet effective We Live in Time a greater spark

The Apprentice grasps at telling Donald Trump's origin story, but ends up as shallow as the man himself

Jason Reitman's Saturday Night is an empty fan fiction riff on SNL's first night in desperate need of a punch-up

A Different Man sees Sebastian Stan doing career-best work, but this is Adam Pearson's film

Sundance winner In the Summers looks back at childhood through a hazy but compelling lens

Francis Ford Coppola's ambition gets away from him in the messy Megalopolis

The Wild Robot boasts beautiful animation, great voice acting by Lupita Nyong'o, and a soaring score

Transformers One delivers an empty animated toy commercial

His Three Daughters crafts a cinematic master class on familial grief

A recap of the best films we saw at Toronto International Film Festival to prep you for prestige movie season